<\/p>\n
21-ci \u0259srd\u0259 ya\u015fay\u0131r\u0131q. \u018ftraf\u0131m\u0131z m\u00fcasir texnalogiyan\u0131n h\u0259r n\u00f6v m\u0259hsulu il\u0259 \u00e7evr\u0259l\u0259nib. Y\u0259qin ki, \u201cpixel\u201d s\u00f6z\u00fc bir \u00e7oxumuza tan\u0131\u015fd\u0131r. B\u0259s, \u201cpixel\u201d dedikd\u0259 a\u011fl\u0131m\u0131za ilk n\u0259 g\u0259lir? M\u0259s\u0259l\u0259n, monitor? Hardasa, ola bil\u0259r. Biraz daha d\u00fc\u015f\u00fcns\u0259k elektron \u015f\u0259kil d\u0259 ola bil\u0259r. Ya da \u0259g\u0259r orta ya\u015fl\u0131s\u0131n\u0131zsa ilk video oyunlar\u0131 da bu siyah\u0131ya \u0259lav\u0259 ed\u0259c\u0259yiniz\u0259 \u015f\u00fcbh\u0259m yoxdur. Bel\u0259 g\u00f6r\u00fcn\u00fcr, \u201cpixel\u201d s\u00f6z\u00fc biz\u0259 r\u0259q\u0259msal teknalogoyan\u0131n ilk d\u00f6vrl\u0259rini, m\u00fcasir texnalogiyan\u0131n t\u0259m\u0259l \u00f6z\u00fcll\u0259rind\u0259n birini v\u0259 \u0259n \u0259sas\u0131 h\u0259r hans\u0131 bir t\u0259sviri xat\u0131rlad\u0131r.<\/p>\n
T\u0259svir \u0259sasd\u0131r, \u00e7\u00fcnki h\u0259m g\u00f6r\u00fcnt\u00fcn\u00fc biz\u0259 \u00e7atd\u0131ran monitorlar, h\u0259m d\u0259 h\u0259min monitorlarda biz\u0259 g\u00f6st\u0259ril\u0259n \u015f\u0259kill\u0259r v\u0259 video, video oyunlar kimi m\u00fcxt\u0259lif sah\u0259l\u0259rd\u0259n g\u00f6r\u00fcnt\u00fcl\u0259r yeni texnalogiyalar il\u0259 t\u0259sviri s\u0259n\u0259t aras\u0131nda \u0259laq\u0259l\u0259ndirici x\u00fcsusiyy\u0259t\u0259 malikdir. Bu g\u00fcn r\u0259q\u0259msal s\u0259n\u0259t insanlar\u0131n t\u0259sviri s\u0259n\u0259t t\u0259s\u0259vv\u00fcr\u00fcn\u00fc tamamiyl\u0259 ba\u015fqa m\u0259rh\u0259l\u0259y\u0259 da\u015f\u0131y\u0131b. \u018fn\u0259n\u0259vi yana\u015fmada d\u0259rinlik, perspektiv kimi anlay\u0131\u015flar bizi \u0259s\u0259rin d\u00f6rd t\u0259r\u0259fli \u00e7\u0259r\u00e7iv\u0259si i\u00e7\u0259risin\u0259 \u00e7\u0259k\u0259r\u0259k illuziya yarad\u0131rd\u0131sa, haz\u0131rda \u0259s\u0259rl\u0259rin \u00e7\u0259r\u00e7iv\u0259l\u0259rind\u0259n \u00e7\u0131xaraq real d\u00fcnyaya inteqrasiyas\u0131ndan, 3D, virtual reall\u0131q kimi tamamiyl\u0259 f\u0259rqli v\u0259 yeni \u201cd\u0259rinlik\u201d anlay\u0131\u015flar\u0131ndan b\u0259hs edirik. H\u0259r n\u0259 is\u0259, bu istiqam\u0259td\u0259 \u00e7ox da d\u0259rin\u0259 getm\u0259y\u0259k. Bu tamamiyl\u0259 ba\u015fqa bir m\u00fczakir\u0259 m\u00f6vzusudur.
\nM\u0259tnin \u0259vv\u0259lind\u0259ki suala geri qay\u0131daq. Monitor, foto, video v\u0259.s yax\u015f\u0131, ancaq n\u0259 vaxtsa pixel v\u0259 xal\u00e7a s\u00f6zl\u0259rini yan-yana i\u015fl\u0259tm\u0259k x\u0259yal\u0131n\u0131za g\u0259l\u0259rdimi? B\u0259li, xal\u00e7a. G\u00f6z\u00fcm\u00fcz\u00fc a\u00e7andan \u0259traf\u0131m\u0131zda g\u00f6rd\u00fcy\u00fcm\u00fcz, \u0259cdadlar\u0131m\u0131zdan n\u0259n\u0259 v\u0259 babalar\u0131m\u0131za, onlardan da biz\u0259 miras kimi \u00f6t\u00fcr\u00fcl\u0259n xal\u00e7a. \u018fg\u0259r s\u0259n\u0259t n\u00f6qteyi n\u0259z\u0259rd\u0259n yana\u015fsaq, n\u0259tic\u0259d\u0259 biri \u0259n q\u0259dim s\u0259n\u0259t n\u00f6vl\u0259rind\u0259n oldu\u011fu halda dig\u0259ri \u2013 pixel \u0259n yeni ax\u0131nlar\u0131n \u00f6z\u00fcl\u00fcn\u00fc t\u0259\u015fkil edir. Onda pixell\u0259 xal\u00e7an\u0131 \u0259laq\u0259l\u0259ndir\u0259n n\u0259dir, dey\u0259 d\u00fc\u015f\u00fcn\u0259 bil\u0259rsiz. Bu sual\u0131n cavab\u0131n\u0131 tapmaq \u00fc\u00e7\u00fcn bir \u0259sr \u0259vv\u0259l\u0259 qay\u0131tmal\u0131 v\u0259 Latviyaya s\u0259yah\u0259t etm\u0259liyik. Orada bizi bir n\u0259f\u0259r g\u00f6zl\u0259yir.
\n\u0130caz\u0259nizl\u0259 sizi Yulius Maderniksl\u0259 tan\u0131\u015f edim. Latviyal\u0131 r\u0259ssam, interyer dizayner, pedaqoq v\u0259 s\u0259n\u0259t\u015f\u00fcnas. H\u0259m\u00e7inin kitab qrafikas\u0131 il\u0259 d\u0259 m\u0259\u015f\u011ful olmu\u015f olan Madernieks r\u0259smin metodik v\u0259 m\u00fct\u0259\u015f\u0259kkil t\u0259drisini t\u0259qdim ed\u0259n ilk latviyal\u0131 r\u0259ssam idi. B\u0259li, t\u0259xmin etdiyiniz kimi, sual\u0131m\u0131z\u0131n cavab\u0131 c\u0259nab Maderniksd\u0259dir.
\n\u00c7ox \u015fax\u0259li, z\u0259ngin yarad\u0131c\u0131l\u0131q f\u0259aliyy\u0259ti olan r\u0259ssam, eyni zamanda xal\u00e7a s\u0259n\u0259ti il\u0259 d\u0259 yax\u0131ndan maraqlan\u0131rd\u0131. O, \u0259sas\u0259n h\u0259nd\u0259si ornamentl\u0259r yaratm\u0131\u015fd\u0131r. Maderniksin inki\u015faf etdirdiyi f\u0259rdi \u00fcslubu simmetriya v\u0259 m\u0259rk\u0259zililiyi vur\u011fulama\u011fa meyilli idi. Ancaq m\u0259ni \u0259sas maraqland\u0131ran onun xal\u00e7alar\u0131ndak\u0131 \u201cPixel\u201dl\u0259rdir. \u201cBir d\u0259qiq\u0259! Xal\u00e7ada pixel?\u201d \u2013 dediyinizi sanki e\u015fidir\u0259m. Amma \u00e7a\u015fq\u0131nl\u0131\u011fa \u0259sas yoxdur. B\u0259z\u0259n xaotik g\u00f6r\u00fcn\u0259n qar\u0131\u015f\u0131ql\u0131\u011f\u0131n i\u00e7\u0259risind\u0259 d\u0259 bir sistem ola bilir. N\u0259 dem\u0259k ist\u0259diyimi izah ed\u0259c\u0259m.
\nBu m\u0259qamda oxuma\u011fa fasil\u0259 verib Yulius Maderniksin xal\u00e7a kompazisiyalar\u0131n\u0131 sad\u0259c\u0259 \u00f6t\u0259ri n\u0259z\u0259rd\u0259n ke\u00e7irm\u0259yinizi t\u00f6vsiyy\u0259 edir\u0259m. Tan\u0131\u015f g\u0259l\u0259n n\u0259 is\u0259 g\u00f6rd\u00fcn\u00fczm\u00fc? B\u0259li \u2013 pixell\u0259r. Sad\u0259c\u0259 \u00f6t\u0259ri bax\u0131\u015f bel\u0259 bu b\u0259nz\u0259rliyin f\u0259rqin\u0259 varma\u011f\u0131n\u0131za kifay\u0259tdir. Onun kompazisiyalar\u0131 yuxar\u0131da da qeyd etdiyim kimi h\u0259nd\u0259si ornamentl\u0259rd\u0259n yaran\u0131rd\u0131. H\u0259min ornamentl\u0259r is\u0259 pixell\u0259ri xat\u0131rladan y\u00fczl\u0259rl\u0259, minl\u0259rl\u0259 ki\u00e7ik kvadratlar\u0131n birl\u0259\u015fm\u0259sind\u0259n meydana g\u0259lirdi. \u018flb\u0259td\u0259 r\u0259q\u0259msal pixell\u0259rl\u0259 xal\u00e7a \u00fcz\u0259rind\u0259ki ki\u00e7ik kvadratlar\u0131 birba\u015fa \u0259laq\u0259l\u0259ndirm\u0259k d\u00fczg\u00fcn deyil. Ancaq s\u00f6hb\u0259t t\u0259sviri s\u0259n\u0259td\u0259n gedirs\u0259, aradak\u0131 b\u0259nz\u0259rlik heyr\u0259tamizdir. \u018fn az\u0131 \u015f\u0259xsi t\u0259cr\u00fcb\u0259md\u0259n dey\u0259 bil\u0259r\u0259m ki, ilk d\u0259f\u0259 Maderniksin xal\u00e7a eskizl\u0259rini g\u00f6rd\u00fckd\u0259 s\u00f6z\u00fc ged\u0259n b\u0259nz\u0259rlik m\u0259ni h\u0259y\u0259canland\u0131rm\u0131\u015fd\u0131. H\u0259y\u0259canland\u0131rm\u0131\u015fd\u0131 \u00e7\u00fcnki, pixell\u0259r\u0259 b\u0259nz\u0259y\u0259n bu ki\u00e7ik kvadratlar m\u0259n\u0259 m\u00fcasir s\u0259n\u0259t ax\u0131nlar\u0131ndan birini xat\u0131rlatm\u0131\u015fd\u0131 \u2013 Pixel Art.
\nPixel Art \u0259sas\u0259n m\u0259hdud sayda r\u0259ng\u0259 sahib pixell\u0259rin biraraya g\u0259tirdiyi elektron t\u0259svirl\u0259rd\u0259n yarad\u0131l\u0131r. \u0130lk d\u0259f\u0259 1937-ci ild\u0259 New Yorkda reklamlar \u00fc\u00e7\u00fcn b\u0259sid monoxromatik matris ekranlarda g\u00f6r\u00fcls\u0259 d\u0259 Pixel Art olaraq \u00f6z\u00fcl\u00fc 1972-1982-ci ill\u0259r aral\u0131\u011f\u0131nda in\u015fa edilmi\u015fdir. \u018fsas\u0259n video oyunlarla h\u0259yat\u0131m\u0131za girmi\u015fdir. Y\u0259qin ki, bir \u00e7oxumuz u\u015faql\u0131\u011f\u0131m\u0131zdak\u0131 b\u0259sid qrafikal\u0131 video oyunlar\u0131 xat\u0131rlay\u0131r\u0131q. Pixel Art h\u0259min zaman \u00fc\u00e7\u00fcn texnalogiyan\u0131n m\u0259hdudla\u015fd\u0131r\u0131c\u0131 imkanlar\u0131 \u00e7\u0259r\u00e7iv\u0259sind\u0259 ortaya \u00e7\u0131xm\u0131\u015fd\u0131. M\u00fcasir zamanda is\u0259 dem\u0259k olar s\u0259rh\u0259dsiz olan r\u0259q\u0259msal d\u00fcnyada \u201cArt\u201d kateqoriyas\u0131 alt\u0131nda \u00f6z\u00fcn\u0259 yer tap\u0131r. X\u00fcsusiyl\u0259 2010-cu ild\u0259n bu g\u00fcn\u0259 Pixel Arta maraq s\u00fcr\u0259tl\u0259 atmaqdad\u0131r. Art\u0131q r\u0259q\u0259msal pixell\u0259r\u0259 texnalojik imkandan \u00e7ox t\u0259sviri s\u0259n\u0259t anlay\u0131\u015f\u0131 i\u00e7\u0259risind\u0259 estetik qay\u011f\u0131larla yana\u015f\u0131l\u0131r. Video oyunlardan, musiqi klipl\u0259rin\u0259, q\u0131sa v\u0259 tam metrajl\u0131 filml\u0259rd\u0259n, n\u0259\u015fr v\u0259 qrafik s\u0259n\u0259tl\u0259r\u0259 q\u0259d\u0259r bir \u00e7ox sah\u0259ni \u0259hat\u0259 etmi\u015f haldad\u0131r.
\nMaderniksin xal\u00e7a kompazisiyas\u0131 il\u0259 h\u0259r hans\u0131 m\u00fcasir Pixel Art t\u0259sviri yan-yana qoysaq, aradak\u0131 b\u0259nz\u0259rlik \u015f\u00fcbh\u0259sizdir. Ancaq… Diqq\u0259tl\u0259 bax\u0131n, burada ba\u015fqa n\u0259 is\u0259 d\u0259 var. G\u00f6r\u00fcn\u0259nin ard\u0131nda, materiyadan azad edilmi\u015f \u015f\u00fcur sanki biz\u0259 p\u0131\u00e7\u0131lday\u0131r. O, biz\u0259 iki s\u0259n\u0259t n\u00f6v\u00fc aras\u0131ndak\u0131 daha bir b\u0259nz\u0259rlikd\u0259n \u2013 M\u0259n\u0259vi-Psixolojik yana\u015fma b\u0259nz\u0259rliyind\u0259n b\u0259hs edir.
\nXal\u00e7an\u0131n yaranmas\u0131 m\u0259i\u015f\u0259t ehtiyaclar\u0131na \u0259saslanm\u0131\u015fd\u0131. Zaman i\u00e7\u0259risind\u0259 \u0259srl\u0259r boyu xal\u00e7a v\u0259 xal\u00e7a m\u0259mulatlar\u0131na yana\u015fma inki\u015faf etm\u0259y\u0259 v\u0259 d\u0259yi\u015fm\u0259y\u0259 ba\u015flad\u0131. \u0130nsan m\u0259n\u0259vi varl\u0131qd\u0131. Ona g\u00f6r\u0259 g\u00f6z\u0259lliy\u0259 m\u0259n\u0259vi olaraq t\u0259bii ehtiyac duyur. Xal\u00e7alar da bu ehtiyac\u0131n t\u0259zah\u00fcr\u00fc olaraq nax\u0131\u015f v\u0259 ornamentl\u0259rl\u0259 b\u0259z\u0259dildi, onlarla m\u0259n\u0259vi ba\u011fl\u0131l\u0131q yarad\u0131ld\u0131. Xal\u00e7alar \u00fcz\u0259rind\u0259 sad\u0259c\u0259 g\u0259zib, \u0259yl\u0259\u015film\u0259di, onun \u00fcz\u0259rind\u0259 folklor in\u015fa edildi, s\u0259n\u0259t \u0259s\u0259rin\u0259 sevrildi. Ancaq daha d\u0259qiq des\u0259k, xal\u00e7a n\u0259 zaman s\u0259n\u0259t \u0259s\u0259ri oldu bilirsiz? Ona m\u0259i\u015f\u0259td\u0259 ehtiyac\u0131m\u0131z qalmad\u0131\u011f\u0131 zaman. B\u0259li, bir \u00e7ox s\u0259n\u0259t sah\u0259sind\u0259 oldu\u011fu kimi, o da yoluna ehtiyacdan yaranan \u0259\u015fya olaraq ba\u015flay\u0131b, g\u00fcn\u00fcm\u00fcz\u0259 s\u0259n\u0259t \u0259s\u0259ri kateqoriyas\u0131 alt\u0131nda g\u0259lib \u00e7atd\u0131.
\n\u0130nsan psixologiyas\u0131 h\u0259qiq\u0259t\u0259n \u00e7ox maraql\u0131d\u0131r. M\u0259i\u015f\u0259td\u0259 g\u00fcnd\u0259lik ehtiyaclar\u0131n\u0131 qar\u015f\u0131lamaq \u00fc\u00e7\u00fcn i\u015fl\u0259tdiyi sad\u0259 al\u0259t\u0259 – m\u0259s\u0259l\u0259n qa\u015f\u0131\u011fa da nax\u0131\u015f, b\u0259z\u0259k vurma, ona m\u00fcdaxil\u0259 edib \u00f6z estetik t\u00f6vq\u00fcn\u0259 tabe etm\u0259 ehtiyac\u0131 duyur. Yuxar\u0131da da qeyd etdiyim kimi bunun ham\u0131s\u0131 insan\u0131n m\u0259n\u0259vi varl\u0131q olmas\u0131ndan qaynaqlan\u0131r. Daha sonra is\u0259 h\u0259min \u0259\u015fyaya art\u0131q ehtiyac duymad\u0131qda, \u0259g\u0259r m\u0259n\u0259vi ba\u011fl\u0131l\u0131\u011f\u0131 y\u00fcks\u0259kdirs\u0259 sanki onu atma\u011fa q\u0131ym\u0131r. N\u0259tic\u0259d\u0259 on illikl\u0259r, y\u00fcz illikl\u0259r i\u00e7\u0259risind\u0259 z\u0259na\u0259t (\u0259l \u0259m\u0259yi) s\u0259n\u0259t\u0259 sevrilir.
\nM\u0259nc\u0259 art\u0131q \u00e7ox g\u0259nc olan Pixel Art`la q\u0259dim xal\u00e7a s\u0259n\u0259ti aras\u0131ndak\u0131 bir dig\u0259r b\u0259nz\u0259rliyi hiss etdiniz. Pixel Art da ehtiyacdan m\u0259hdud imkanlar \u00e7\u0259r\u00e7iv\u0259sind\u0259 meydana g\u0259lmi\u015f, bu g\u00fcn is\u0259 yeni r\u0259q\u0259msal s\u0259n\u0259t ax\u0131nlar\u0131n\u0131n n\u00fcmay\u0259nd\u0259sin\u0259 \u00e7evrilmi\u015fdir. Bununla yana\u015f\u0131 h\u0259m xal\u00e7ada h\u0259m d\u0259 Pixel Art`da do\u011fmal\u0131q hissi var. \u018flb\u0259td\u0259 m\u00fcqayis\u0259d\u0259 bir-birl\u0259rind\u0259n bu m\u0259nada bir q\u0259d\u0259r f\u0259rql\u0259nirl\u0259r. N\u0259tic\u0259d\u0259 q\u0259dim olan xal\u00e7a s\u0259n\u0259tind\u0259 do\u011fmal\u0131q hissi m\u0259d\u0259ni irsl\u0259 biz\u0259 \u00f6t\u00fcr\u00fcl\u00fcrs\u0259, g\u0259nc Pixel Art`da hiss etdiyimiz daha \u00e7ox nostalgiya v\u0259 ya retro duy\u011fulard\u0131.
\nYulius Maderniksin xal\u00e7a kompazisiyalar\u0131 timsal\u0131nda xal\u00e7a s\u0259n\u0259ti il\u0259 Pixel Art aras\u0131ndak\u0131 b\u0259nz\u0259rlikl\u0259ri h\u0259m vizual, h\u0259m d\u0259 m\u0259n\u0259vi c\u0259h\u0259td\u0259n \u0259l\u0259 ald\u0131qdan sonra son olaraq f\u0259ls\u0259si m\u00fcst\u0259vid\u0259 k\u0259si\u015fm\u0259l\u0259rin\u0259 n\u0259z\u0259r yetirm\u0259yi t\u0259klif edir\u0259m. Bu m\u0259qamda insan psixologiyas\u0131na, a\u011fl\u0131na olan heyranl\u0131\u011f\u0131m\u0131 yenid\u0259n gizl\u0259d\u0259 bilm\u0259y\u0259c\u0259y\u0259m. \u00c7\u00fcnki, ya\u015fad\u0131\u011f\u0131 d\u00fcnyan\u0131 m\u00fc\u015fahid\u0259 ed\u0259n insan \u0259traf\u0131nda g\u00f6rd\u00fcy\u00fc h\u0259r \u015feyd\u0259, g\u00f6r\u00fcn\u0259nin \u00f6t\u0259sind\u0259 vahid bir \u0259laq\u0259nin oldu\u011funu d\u00fc\u015f\u00fcn\u00fcrd\u00fc. B\u00fct\u00fcn bu f\u0259rqlilikl\u0259rin, \u00fcz\u0259rin\u0259 in\u015fa edildiyi vahid bir m\u00fcst\u0259vi olmal\u0131 idi. Yunan filosofu Demokritin bu bar\u0259d\u0259 bir fikri var idi \u2013 \u201cAtom\u00e7uluq\u201d n\u0259z\u0259riyy\u0259si. Demokrit m\u00fcasir elmin atas\u0131 say\u0131lsa da t\u0259bii ki, onun n\u0259z\u0259riyy\u0259sind\u0259ki atom bu g\u00fcn\u00fcn elmind\u0259ki atomdan bir q\u0259d\u0259r f\u0259rqli idi. S\u00f6hb\u0259t m\u0259rk\u0259zind\u0259 n\u00fcv\u0259si v\u0259 onun \u0259traf\u0131nda f\u0131rlanan elektron buludu olan atomdan yox, \u201cH\u0259r \u015feyin xam madd\u0259si\u201d anlay\u0131\u015f\u0131ndan gedir. Bu bir anlay\u0131\u015f, d\u00fc\u015f\u00fcnc\u0259 t\u0259rzidir. Bir n\u00f6v \u201c\u00d6z\u201d anlay\u0131\u015f\u0131d\u0131r, \u201cH\u0259r \u015fey n\u0259 is\u0259 ba\u015fqa bir \u201c\u015fey\u201dd\u0259n yaran\u0131r\u201d d\u00fc\u015f\u00fcnc\u0259sidir. H\u0259min \u201c\u015fey\u201d is\u0259 g\u00f6r\u00fcn\u0259n d\u00fcnyan\u0131n m\u00fcxt\u0259lif m\u0259rh\u0259l\u0259l\u0259rd\u0259 t\u0259brikini t\u0259\u015fkil ed\u0259nl\u0259rdir. N\u0259dir bunlar? M\u0259s\u0259l\u0259n Yulius Maderniksin b\u00fct\u00f6v bir xal\u00e7a kompazisiyas\u0131n\u0131 meydana g\u0259tir\u0259n \u201cki\u00e7ik r\u0259ngli kvadratlar\u201d, ya da Pixel Art\u0131 bizim \u00fc\u00e7\u00fcn g\u00f6r\u00fcn\u0259n ed\u0259n \u201cki\u00e7ik r\u0259ngli r\u0259q\u0259msal kvadratlar\u201d.
\nB\u0259li, ist\u0259r dair\u0259 olsun, ist\u0259r kvadrat, ist\u0259r b\u00fct\u00fcn canl\u0131lar\u0131n \u00f6z\u00fcl da\u015flar\u0131ndan h\u00fcceyr\u0259, ya da \u0259n t\u0259m\u0259l z\u0259rr\u0259cikl\u0259rd\u0259n biri olan atom, vahid m\u00fcst\u0259vi, \u0259sas, t\u0259m\u0259l bir fikir var \u2013 T\u0259bi\u0259t. Onu sad\u0259c\u0259 bir okean kimi d\u00fc\u015f\u00fcns\u0259k insan\u0131n bir sahild\u0259n i\u00e7in\u0259 daxil etdiyi xal\u00e7a s\u0259n\u0259ti \u0259srl\u0259r boyu uzaql\u0131qda olan ba\u015fqa sahild\u0259n Pixel Art formas\u0131na \u00e7\u0131xa bilir. \u018fg\u0259r bir g\u00fcn geriy\u0259 \u00fcz\u00fcb ke\u00e7mi\u015f\u0259 s\u0259yah\u0259t etm\u0259k e\u015fqin\u0259 d\u00fc\u015fs\u0259niz, t\u00f6vsiyy\u0259m \u00e7ox diqq\u0259tli olma\u011f\u0131n\u0131zd\u0131r. \u00c7\u00fcnki h\u0259min okean\u0131n ortas\u0131na \u00e7atd\u0131qda, siz ke\u00e7mi\u015f\u0259 \u00fczd\u00fcy\u00fcn\u00fc z\u0259nn ed\u0259rk\u0259n Pixel Artla, y\u0259ni g\u0259l\u0259c\u0259kl\u0259 rastla\u015fa bil\u0259rsiniz. \u201cBack to the Future\u201da (\u201cG\u0259l\u0259c\u0259y\u0259 qay\u0131d\u0131\u015f\u201d filminin orijinal ad\u0131) xo\u015f g\u0259ldiniz.<\/p>\n
Cavid H\u0259s\u0259nli<\/strong><\/em> 21-ci \u0259srd\u0259 ya\u015fay\u0131r\u0131q. \u018ftraf\u0131m\u0131z m\u00fcasir texnalogiyan\u0131n h\u0259r n\u00f6v m\u0259hsulu il\u0259 \u00e7evr\u0259l\u0259nib. Y\u0259qin ki, \u201cpixel\u201d s\u00f6z\u00fc bir \u00e7oxumuza tan\u0131\u015fd\u0131r. B\u0259s, \u201cpixel\u201d dedikd\u0259 a\u011fl\u0131m\u0131za ilk n\u0259 g\u0259lir? M\u0259s\u0259l\u0259n, monitor? Hardasa, ola bil\u0259r. Biraz daha d\u00fc\u015f\u00fcns\u0259k elektron \u015f\u0259kil d\u0259 ola bil\u0259r. Ya da \u0259g\u0259r orta ya\u015fl\u0131s\u0131n\u0131zsa ilk video oyunlar\u0131 da bu siyah\u0131ya \u0259lav\u0259 ed\u0259c\u0259yiniz\u0259 \u015f\u00fcbh\u0259m yoxdur. Bel\u0259 […]<\/p>\n","protected":false},"author":2,"featured_media":1889,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"_links":{"self":[{"href":"https:\/\/dilimizvarligimiz.az\/api\/wp\/v2\/posts\/1888"}],"collection":[{"href":"https:\/\/dilimizvarligimiz.az\/api\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dilimizvarligimiz.az\/api\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dilimizvarligimiz.az\/api\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dilimizvarligimiz.az\/api\/wp\/v2\/comments?post=1888"}],"version-history":[{"count":1,"href":"https:\/\/dilimizvarligimiz.az\/api\/wp\/v2\/posts\/1888\/revisions"}],"predecessor-version":[{"id":1890,"href":"https:\/\/dilimizvarligimiz.az\/api\/wp\/v2\/posts\/1888\/revisions\/1890"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dilimizvarligimiz.az\/api\/wp\/v2\/media\/1889"}],"wp:attachment":[{"href":"https:\/\/dilimizvarligimiz.az\/api\/wp\/v2\/media?parent=1888"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dilimizvarligimiz.az\/api\/wp\/v2\/categories?post=1888"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dilimizvarligimiz.az\/api\/wp\/v2\/tags?post=1888"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nAz\u0259rbaycan D\u00f6vl\u0259t R\u0259ssaml\u0131q Akademiyas\u0131<\/strong><\/em>
\nT\u0259sviri S\u0259n\u0259t Tarixi v\u0259 N\u0259z\u0259riyy\u0259si<\/strong><\/em>
\nMagistr. I kurs.<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"