{"id":714,"date":"2021-03-01T19:51:06","date_gmt":"2021-03-01T15:51:06","guid":{"rendered":"https:\/\/dilimizvarligimiz.az\/?p=714"},"modified":"2021-03-01T19:51:06","modified_gmt":"2021-03-01T15:51:06","slug":"ilqar-f%c9%99hmi-v%c9%99-postmodernizm-nargis-yazir","status":"publish","type":"post","link":"https:\/\/dilimizvarligimiz.az\/ilqar-f%c9%99hmi-v%c9%99-postmodernizm-nargis-yazir\/","title":{"rendered":"\u0130lqar F\u0259hmi v\u0259 postmodernizm – NARG\u0130S yaz\u0131r.."},"content":{"rendered":"

M\u00fcst\u0259qillik d\u00f6vr\u00fcnd\u0259 yaranan postmodern n\u0259sr sah\u0259sind\u0259 \u0130lqar F\u0259hminin yarad\u0131c\u0131l\u0131\u011f\u0131n\u0131 x\u00fcsusi vur\u011fulamaq laz\u0131md\u0131r.<\/strong> Yazar\u0131n x\u00fcsusil\u0259 “\u0130lk sui-q\u0259sd” (\u00c7\u0259nlibel t\u00fclk\u00fcs\u00fc – 1-ci kitab -2005), “Qar\u011fa yuvas\u0131” (\u00c7\u0259nlibel t\u00fclk\u00fcs\u00fc – 2-ci kitab – 2006), “K\u00f6lg\u0259d\u0259 \u0259qr\u0259b” (\u00c7\u0259nlibel t\u00fclk\u00fcs\u00fc – 3-c\u00fc kitab – 2007)\u00a0 romanlar\u0131 bu kontekstd\u0259n son d\u0259r\u0259c\u0259 \u0259h\u0259miyy\u0259tlidir.<\/p>\n

“\u0130lk sui-q\u0259sd” (\u00c7\u0259nlibel t\u00fclk\u00fcs\u00fc – 1-ci kitab)\u00a0 roman\u0131 Ke\u00e7\u0259l H\u0259mz\u0259nin \u00c7\u0259nlibel, Koro\u011flu, d\u0259lil\u0259r v\u0259 gedi\u015fatla ba\u011fl\u0131 d\u00fc\u015f\u00fcnc\u0259l\u0259rini \u015f\u0259rh etm\u0259kl\u0259 ba\u015flay\u0131r. Romana ba\u015flayan oxucu bu d\u00fc\u015f\u00fcnc\u0259l\u0259rin ilk \u00f6nc\u0259 Koro\u011fluya, ya da h\u0259r hans\u0131 d\u0259liy\u0259 aid oldu\u011funu d\u00fc\u015f\u00fcns\u0259 d\u0259, yazar t\u0259rs gedi\u015f ed\u0259r\u0259k Ke\u00e7\u0259l H\u0259mz\u0259ni s\u0259hn\u0259y\u0259 \u00e7\u0131xar\u0131r. V\u0259 yeni modeld\u0259, b\u00fct\u00fcn m\u0259nfi x\u00fcsusiyy\u0259tl\u0259rd\u0259n ar\u0131nd\u0131raraq oxucuya t\u0259qdim edir. Burada yazar Ke\u00e7\u0259l H\u0259mz\u0259nin\u00a0 \u00c7\u0259nlibel\u0259 \u0259slind\u0259 nec\u0259 g\u0259ldiyini x\u0259b\u0259r ver\u0259r\u0259k dastandan f\u0259rqli istiqam\u0259td\u0259 \u015f\u0259rh olunacaq m\u00f6vzunun\u00a0 siqnallar\u0131n\u0131 verir. G\u00f6st\u0259rilir ki, Koro\u011flu Ke\u00e7\u0259l H\u0259mz\u0259ni Xotkar v\u0259 pa\u015falar\u0131n hiyl\u0259l\u0259rind\u0259n x\u0259b\u0259r tutmaq v\u0259 ona daimi s\u0131\u011f\u0131nacaq verib yan\u0131nda saxlamaq m\u0259qs\u0259dil\u0259 yan\u0131na d\u0259v\u0259t edib. Koro\u011flu kimi igidin yan\u0131nda ki\u00e7ilm\u0259yi l\u0259yaq\u0259tsiz pa\u015falarla birg\u0259 \u00e7al\u0131\u015fmaqdan \u00fcst\u00fcn g\u00f6r\u0259n Ke\u00e7\u0259l H\u0259mz\u0259 Dona xan\u0131mla evl\u0259ndikd\u0259n sonra Koro\u011fluya s\u0131\u011f\u0131n\u0131r. Roman\u0131n gedi\u015fat\u0131ndan ayd\u0131n olur ki, Koro\u011flu il\u0259 Ke\u00e7\u0259l H\u0259mz\u0259nin aras\u0131ndan su s\u0131zm\u0131r v\u0259 \u00c7\u0259nlibel s\u0259rkar\u0131 ona m\u0259\u015fv\u0259r\u0259t etm\u0259d\u0259n add\u0131m atm\u0131r. Son zamanlar sakit h\u0259yatdan s\u0131x\u0131lan H\u0259mz\u0259 xisl\u0259tinin t\u0259l\u0259bi il\u0259, \u00c7\u0259nlibeld\u0259 casus oldu\u011funa dair al\u0131nan nam\u0259nin g\u0259li\u015fi il\u0259 sevinir v\u0259 daha sonra hadis\u0259l\u0259r m\u00fcr\u0259kk\u0259bl\u0259\u015fir. H\u0259mz\u0259 Koro\u011fluya\u00a0 d\u0259lil\u0259r aras\u0131nda casus oldu\u011funu v\u0259 onun Koro\u011flunu \u00f6ld\u00fcrm\u0259y\u0259 haz\u0131rla\u015fd\u0131\u011f\u0131n\u0131 deyir. Koro\u011flu bu x\u0259b\u0259rd\u0259n sars\u0131l\u0131r. Sonrak\u0131 prosesl\u0259r is\u0259 sabiq d\u0259lil\u0259rin sadiqliyini s\u00fcbut edir, ayd\u0131n olur ki, Koro\u011flunu d\u0259lil\u0259r yox, D\u0259mir\u00e7io\u011flunun h\u0259yat yolda\u015f\u0131 Telli xan\u0131m\u0131n \u0259kizi \u0130nanc xan\u0131m v\u0259 d\u0259va\u00e7\u0131s\u0131 z\u0259h\u0259rl\u0259yib \u00f6ld\u00fcrm\u0259k ist\u0259yirmi\u015f. Koro\u011flunun \u0130nanc xan\u0131m\u0131 c\u0259zaland\u0131rmamas\u0131 is\u0259 onun \u0259dal\u0259tini g\u00f6st\u0259rir.<\/p>\n

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Ke\u00e7\u0259l H\u0259mz\u0259d\u0259n sonra \u0259s\u0259rd\u0259 dekonstruktiv d\u0259yi\u015fiklikl\u0259rl\u0259 t\u0259qdim olunan obraz A\u015f\u0131q C\u00fcnunundur, h\u0259tta \u00c7\u0259nlibeld\u0259 d\u0259lil\u0259rin onun haqq\u0131ndak\u0131 fikirl\u0259rdir. A\u015f\u0131q dilbaz, gop\u00e7u, m\u00fcbali\u011f\u0259\u00e7i kimi t\u0259qdim olunur: “Amma a\u015f\u0131q dan\u0131\u015fanda birinin \u00fcst\u00fcn\u0259 be\u015f qoyub Koro\u011flunu o q\u0259d\u0259r \u015fi\u015firdirdi ki, \u00c7\u0259nlibel\u0259 b\u0259l\u0259d olan adamlar mat-m\u0259\u0259tt\u0259l qal\u0131rd\u0131lar ki, bu Koro\u011fludan dan\u0131\u015f\u0131r, yoxsa M\u0259likm\u0259mm\u0259dd\u0259n”…<\/p>\n

Romanda yazar geni\u015f \u015f\u0259kild\u0259 pasti\u015fd\u0259n istifad\u0259 edib.<\/p>\n

Roman “Koro\u011flu” dastan\u0131 il\u0259 intertekstual \u0259laqad\u0259 inki\u015faf edir.<\/p>\n

…Romanda dekonstruksiya il\u0259 yana\u015f\u0131, kollajdan geni\u015f \u015f\u0259kild\u0259 istifad\u0259 olunub.<\/p>\n

Silsil\u0259nin davam\u0131 olan ikinci kitab is\u0259 “Qar\u011fa yuvas\u0131” (\u00c7\u0259nlibel t\u00fclk\u00fcs\u00fc – 2-ci kitab) adlan\u0131r. “Qar\u011fa yuvas\u0131”\u00a0 roman\u0131 \u0130lqar\u00a0 F\u0259hmi yarad\u0131c\u0131l\u0131\u011f\u0131nda x\u00fcsusi yer tutur. D\u00fcnya intellektual postmodernizmind\u0259n f\u0259rql\u0259ns\u0259 d\u0259, \u0130lqar F\u0259hmi yarad\u0131c\u0131l\u0131\u011f\u0131nda intellektualizmin izl\u0259ri g\u00f6r\u00fcn\u00fcr. Ancaq m\u00fc\u0259llif dastan\u00a0 v\u0259 dastan\u00e7\u0131l\u0131q x\u00fcsusiyy\u0259tl\u0259rini \u0259vv\u0259ld\u0259n sonad\u0259k qoruma\u011fa \u00e7al\u0131\u015f\u0131r. \u018fs\u0259rin \u00fcslub v\u0259 dil x\u00fcsusiyy\u0259tl\u0259rin\u0259 g\u0259ldikd\u0259 vur\u011fulamal\u0131y\u0131q ki, bu aspektd\u0259n d\u0259 yazar dastanda oldu\u011fu kimi, sad\u0259liyi, ax\u0131c\u0131l\u0131\u011f\u0131, lakonikliyi \u00fcst\u00fcn tutub. \u018fs\u0259r x\u00fcsusi m\u00fctali\u0259li oxucu t\u0259l\u0259b etmir. “Kitabi-D\u0259d\u0259 Qorqud” dastan\u0131n\u0131 oxuyan, yaxud oxumayan h\u0259r k\u0259s \u0259s\u0259ri dastan\u0131n davam\u0131 kimi q\u0259bul edib oxuya bil\u0259r. Postmodernizmin t\u0259l\u0259b etdiyi skeptizm kontekstind\u0259n is\u0259 yazar “Kitabi-D\u0259d\u0259 Qorqud”da, y\u0259ni klassik m\u0259tnd\u0259 ba\u015f ver\u0259n prosesl\u0259rin ba\u015fqa variant\u0131n\u0131 ortaya qoymaq t\u0259\u015f\u0259bb\u00fcs\u00fc il\u0259 \u00e7\u0131x\u0131\u015f edir.<\/p>\n

Ke\u00e7\u0259l H\u0259mz\u0259nin g\u00f6z\u00fcyl\u0259 m\u00fc\u0259llif\u00a0 h\u0259m d\u0259 Koro\u011fluya b\u00f6y\u00fck zat kimi bax\u0131r. \u018fs\u0259rd\u0259 Koro\u011fluya ikili m\u00f6vqe m\u00f6vcuddur. Ke\u00e7\u0259l H\u0259mz\u0259nin g\u00f6z\u00fcyl\u0259 Koro\u011flu etdiyi saleh \u0259m\u0259ll\u0259r\u0259 g\u00f6r\u0259 \u0130mam H\u00fcseyn\u0259, Qara Mahmud Yezid\u0259 b\u0259nz\u0259dilir. Burada da m\u00fcq\u0259dd\u0259s m\u0259tnl\u0259r\u0259, h\u0259disl\u0259r\u0259 i\u015far\u0259 olunur. \u0130lk kitabda oldu\u011fu kimi, “Qar\u011fa yuvas\u0131”nda da Ke\u00e7\u0259l H\u0259mz\u0259 obraz\u0131 hadis\u0259l\u0259rin m\u0259rk\u0259z x\u0259ttini t\u0259\u015fkil edir. H\u0259r iki \u0259s\u0259rd\u0259 ana xarakter Ke\u00e7\u0259l H\u0259mz\u0259dir. O, a\u011f\u0131ll\u0131, bacar\u0131ql\u0131 v\u0259 \u0259n \u00e7\u0259tin m\u0259s\u0259l\u0259l\u0259rin h\u0259llind\u0259 y\u00fcks\u0259k a\u011f\u0131l, siyas\u0259t n\u00fcmayi\u015f etdirir. Ancaq \u0259s\u0259rd\u0259ki konfliktl\u0259r v\u0259 onlar\u0131n h\u0259ll yollar\u0131 sad\u0259dir. Bu aspektd\u0259n d\u0259 yazar dastan m\u00f6vqeyini qoruma\u011f\u0131 se\u00e7ir.<\/p>\n

\u018fs\u0259rd\u0259 oxucu m\u0259rk\u0259z\u00e7ilik, qur\u011fu i\u00e7ind\u0259 qur\u011fu, oxucunu m\u0259tn\u0259 ortaq etm\u0259k, oxucunu d\u00fc\u015f\u00fcnm\u0259y\u0259 m\u0259cbur etm\u0259k, m\u0259tnl\u0259raras\u0131l\u0131q istehza, parodiya, pasti\u015f, oyun prinsipi, magik realizm kimi faktorlar \u00f6n plandad\u0131r.<\/p>\n

Yazar \u0259s\u0259rd\u0259 magik realizmd\u0259n istifad\u0259 edib. “Qar\u011fa yuvas\u0131” roman\u0131 magik realizm \u00fcns\u00fcrl\u0259ri il\u0259 z\u0259ngindir.<\/p>\n

\u018fs\u0259rd\u0259ki sehrli d\u0259r\u0259d\u0259 ba\u015f ver\u0259nl\u0259r, dam\u011fa, tacirin h\u0259y\u0259tind\u0259 a\u011fdan q\u0131rm\u0131z\u0131ya d\u00f6n\u0259n\u00a0 q\u0131z\u0131lg\u00fcll\u0259r, \u00f6l\u00fc qar\u011falar, cadu-\u0259fsun kitablar\u0131, d\u0259rvi\u015fl\u0259rin zindandan qarovul\u00e7unu ovsunlayaraq\u00a0 qa\u00e7malar\u0131 kimi m\u0259s\u0259l\u0259l\u0259r, rituallar magik realizm \u00fcns\u00fcr\u00fc kimi son d\u0259r\u0259c\u0259 maraql\u0131d\u0131r.<\/p>\n

Detektiv \u00fcns\u00fcrl\u0259rl\u0259 z\u0259ngin s\u00fcjetin postmodernizm kontekstind\u0259n t\u0259qdim olunmas\u0131 \u0259s\u0259ri daha da q\u00fcvv\u0259tl\u0259ndirir. Yazar postmodern texnikalar\u0131 detektiv hekay\u0259l\u0259rl\u0259 sintez edir.<\/p>\n

“Qar\u011fa yuvas\u0131” roman\u0131nda\u00a0 yazar postmodernizmin bir \u00e7ox \u00fcns\u00fcr\u00fcnd\u0259n \u015f\u00fcurlu \u015f\u0259kild\u0259 istifad\u0259 edir: “Onun\u00e7\u00fcn \u00c7\u0259nlibel s\u0259rkar\u0131 q\u0259z\u0259bl\u0259n\u0259nd\u0259 qurd kimi\u00a0 da\u011fa-da\u015fa d\u00fc\u015f\u00fcb ulam\u0131rd\u0131, yumruqlar\u0131n\u0131 s\u0131x\u0131b \u015fir kimi n\u0259rild\u0259yirdi”… “Vallah, lap h\u00f6vs\u0259l\u0259m darald\u0131. G\u00f6r\u00fcn\u00fcr ki, m\u0259tl\u0259bi \u00e7ox uzatd\u0131m. Ke\u00e7\u0259k yen\u0259 d\u0259 t\u0259svirind\u0259 bulundu\u011fumuz vaqe\u0259l\u0259r\u0259”. Burada \u0130lqar F\u0259hmi \u0259s\u0259rin qurma, uydurma, fantastika oldu\u011funu oxucuya bildirir. Ger\u00e7\u0259klikl\u0259 uydurma aras\u0131ndak\u0131 f\u0259rqi v\u0259 roman\u0131n uydurma oldu\u011funu meta-fantastik \u00fcsul il\u0259 oxucuya \u00e7atd\u0131rma\u011f\u0131 h\u0259d\u0259fl\u0259y\u0259n postmodern yazar m\u0259tnin strukturunda oyunlar qurur v\u0259\u00a0 reall\u0131\u011f\u0131 sual alt\u0131nda qoyub sor\u011fulay\u0131r. Bu texnika il\u0259 oxucuya bir oyunda oldu\u011funu daima xat\u0131rlad\u0131r.<\/p>\n

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Bundan ba\u015fqa, \u0259s\u0259rd\u0259 S\u0259f\u0259vil\u0259r d\u00f6vr\u00fc hadis\u0259l\u0259ri \u018frd\u0259bil\u0259 s\u0259f\u0259r ed\u0259n Ke\u00e7\u0259l H\u0259mz\u0259, Toxmaqvuran\u0131n \u015feyxin zirz\u0259misind\u0259 15 il dustaq qalan \u018fli b\u0259y \u015eamlu t\u0259r\u0259find\u0259n dan\u0131\u015f\u0131l\u0131r. Burada yazar\u0131n S\u0259f\u0259vil\u0259r d\u00f6vr\u00fcnd\u0259 ba\u015f ver\u0259n hadis\u0259l\u0259r\u0259 dekonstruktiv yana\u015fmas\u0131 m\u00f6vcuddur. “Hipertekstual \u0259laq\u0259l\u0259rin \u00f6z\u00fcn\u00fc \u0259ks etdirdiyi dig\u0259r m\u0259tn is\u0259 \u018frd\u0259bild\u0259 \u015feyxin gizli kitabxanas\u0131na daxil olmaq ist\u0259y\u0259rk\u0259n t\u0259l\u0259y\u0259-quyuya d\u00fc\u015f\u0259n H\u0259mz\u0259 v\u0259 dostlar\u0131na quyudak\u0131 dig\u0259r ba\u015fqa bir \u0259sir \u018fli b\u0259y \u015eamlu t\u0259r\u0259find\u0259n dan\u0131\u015f\u0131lan \u0259hvalatdan ibar\u0259tdir. \u018fli b\u0259y \u015eamlu S\u0259f\u0259vi \u015fah\u0131 T\u0259hmasibin o\u011flu Heyd\u0259r Mirz\u0259nin h\u0259r\u0259minin e\u015fika\u011fas\u0131 olub. \u015eah \u00f6l\u0259nd\u0259n sonra Ustaclu tayfas\u0131 Heyd\u0259r Mirz\u0259ni, dig\u0259r Q\u0131z\u0131lba\u015f tayfalar\u0131 is\u0259 \u015fah\u0131n Q\u0259hq\u0259h\u0259 qalas\u0131na sald\u0131\u011f\u0131 o\u011flu \u0130smay\u0131l Mirz\u0259nin varisliyini m\u00fcdafi\u0259 etm\u0259y\u0259 ba\u015flay\u0131rlar. Dig\u0259r tayfalar Heyd\u0259r Mirz\u0259ni \u00f6ld\u00fcrm\u0259k \u00fc\u00e7\u00fcn saraya h\u00fccum ed\u0259nd\u0259 \u015fahzad\u0259 \u018fli b\u0259y \u015eamlu t\u0259r\u0259find\u0259n \u0259l\u0259 verilir v\u0259 ba\u015f\u0131 k\u0259silir. \u015eahzad\u0259ni \u0259l\u0259 verm\u0259yinin s\u0259b\u0259bi is\u0259 onun qa\u00e7\u0131\u015f \u00fcsulu idi. “…Qaba\u011f\u0131mdak\u0131 k\u0259niz… \u015fahzad\u0259 Heyd\u0259r Mirz\u0259ydi, \u0259ynin\u0259 arvad paltar\u0131 geyib l\u0259\u00e7\u0259k ba\u011flam\u0131\u015fd\u0131…”.<\/p>\n

“Qar\u011fa yuvas\u0131”nda \u018fli b\u0259y \u015eamlunun o\u011flunu \u00f6ld\u00fcrm\u0259si epizodu “Quran”dak\u0131 \u0130brahimin o\u011flu \u0130smay\u0131l\u0131 Allaha qurban etm\u0259k ayinin\u0259 ox\u015fay\u0131r. H\u0259r iki hadis\u0259 yuxu yolu il\u0259 insandan ist\u0259nil\u0259n \u0259mr kimi t\u0259lqin olunur: “Ortaya a\u011f\u0131r s\u00fckut \u00e7\u00f6kd\u00fc. H\u0259mz\u0259 fikirl\u0259\u015fdi ki, h\u0259rgah bu adam Allah qaba\u011f\u0131nda \u00f6z g\u00fcnah\u0131n\u0131 yumaq\u00e7\u00fcn o\u011flunun da can\u0131n\u0131 \u0259sirg\u0259m\u0259yibs\u0259, dem\u0259k, h\u0259qiq\u0259t\u0259n \u00e7ox b\u00f6y\u00fck adamd\u0131. Bu, \u0130brahim qurban\u0131 kimi bir \u015feydi”.<\/p>\n

Romanda h\u0259m dastan\u00e7\u0131 (m\u00fc\u0259llif), h\u0259m d\u0259 m\u0259tn \u00f6n plandad\u0131r. M\u0259tnd\u0259 bir \u00e7ox dastan\u00e7\u0131 s\u0259si, hekay\u0259 i\u00e7\u0259risind\u0259 hekay\u0259l\u0259ri bir-birin\u0259 ba\u011flamaq v\u0259 ya ba\u015fqa bir hekay\u0259 \/ v\u0259 ya m\u0259tn i\u00e7\u0259risind\u0259 hekay\u0259l\u0259ri izl\u0259m\u0259k kimi elementl\u0259r d\u0259 m\u00f6vcuddur…<\/p>\n

Silsil\u0259d\u0259 \u00fc\u00e7\u00fcnc\u00fc kitab “K\u00f6lg\u0259d\u0259 \u0259qr\u0259b” (\u00c7\u0259nlibel t\u00fclk\u00fcs\u00fc – 3-c\u00fc kitab)\u00a0 adlan\u0131r. \u0130lqar F\u0259hmi “K\u00f6lg\u0259d\u0259 \u0259qr\u0259b” roman\u0131na t\u0259bi\u0259t t\u0259sviri il\u0259 ba\u015flay\u0131r. Q\u0131z\u0131lba\u015f atl\u0131s\u0131n\u0131n d\u00fc\u015f\u00fcnc\u0259l\u0259ri fonunda \u015f\u0259rh olunan m\u0259s\u0259l\u0259l\u0259r kontekstind\u0259 postmodernizmin elementi olan kollajdan istifad\u0259 olunur: “S\u0259n bir da\u011f\u0131n-da\u015f\u0131n g\u00f6z\u0259lliyin\u0259 bax. \u00d6yl\u0259 bil ki, \u0259leyh\u00fcr\u0259hm\u0259t \u0130smay\u0131l pad\u015fah X\u0259tai h\u0259\u015ftad il \u0259qd\u0259m haman bu yolun sa\u011f \u0259lind\u0259ki qayal\u0131\u011f\u0131n \u00fcst\u00fcn\u0259 d\u0131rma\u015f\u0131b doyunca buralar\u0131 seyr el\u0259mi\u015f, sonra da\u00a0 v\u0259zirl\u0259rd\u0259n birinin belin\u0259 qoydu\u011fu a\u011fappaq S\u0259m\u0259rq\u0259nd ka\u011f\u0131z\u0131nda haman m\u0259\u015fhur “Bahariyy\u0259”sini in\u015fa el\u0259mi\u015fdi…”.<\/p>\n

\u018fs\u0259rin sonrak\u0131 hiss\u0259l\u0259rind\u0259n bir daha ayd\u0131n olur ki, bu hiss\u0259d\u0259 d\u0259, yen\u0259 \u0259sas s\u00fcjet “Koro\u011flu” dastan\u0131\u00a0 il\u0259 intertekstual \u0259laq\u0259 i\u00e7ind\u0259dir. Ancaq “Qar\u011fa yuvas\u0131” \u0259s\u0259rind\u0259n f\u0259rqli olaraq bu d\u0259f\u0259 m\u00fc\u0259llif\u00a0 \u0259s\u0259rd\u0259 din v\u0259 t\u0259riq\u0259tl\u0259r m\u0259s\u0259l\u0259sin\u0259 ironik n\u00f6qteyi-n\u0259z\u0259rd\u0259n yana\u015f\u0131r…<\/p>\n

\u018fs\u0259rd\u0259 yen\u0259 d\u0259, \u0259sas\u00a0 obraz\u00a0 Ke\u00e7\u0259l H\u0259mz\u0259dir. O hadis\u0259l\u0259rin inki\u015faf\u0131 v\u0259 a\u00e7\u0131lmas\u0131nda x\u00fcsusi rol oynay\u0131r. Koro\u011flu v\u0259 d\u0259lil\u0259ri, xan\u0131mlar arxa planda qal\u0131r. H\u0259tta \u0259s\u0259rd\u0259 h\u0259r yer\u0259 s\u0259p\u0259l\u0259n\u0259n d\u0259lil\u0259rd\u0259n qeyri-adi q\u0259hr\u0259manl\u0131q g\u00f6rm\u00fcr\u00fck…<\/p>\n

\u018fs\u0259rin sonrak\u0131 inki\u015faf\u0131ndan B\u0259lli \u018fhm\u0259dl\u0259 H\u0259mz\u0259nin dialoqunda dastanda var olan H\u0259mz\u0259 obraz\u0131 v\u0259 B\u0259lli \u018fhm\u0259d dekonstruksiya edilir…<\/p>\n

N\u0259tic\u0259 olaraq qeyd ed\u0259k ki, \u0130lqar F\u0259hminin romanlar\u0131,\u00a0 \u00e7ox\u015fax\u0259li Az\u0259rbaycan \u0259d\u0259biyyat\u0131nda yaranan postmodern n\u0259sr sah\u0259sind\u0259 x\u00fcsusi yer\u0259 malikdir.<\/p>\n

Sonluqda yazar postmodern roman\u0131n \u0259sas t\u0259l\u0259bl\u0259rind\u0259n biri olan skeptizim n\u00f6qteyi-n\u0259z\u0259rind\u0259n \u00e7\u0131x\u0131\u015f ed\u0259r\u0259k oxucunu \u00e7a\u015fd\u0131r\u0131r, el\u0259 g\u00f6st\u0259rir ki, Mustafa b\u0259y v\u0259 H\u0259mz\u0259 u\u00e7qunun alt\u0131nda qal\u0131b k\u0259ndlil\u0259rl\u0259 birg\u0259 \u00f6l\u00fcb. Ancaq bundan Koro\u011flu daxil he\u00e7 kim x\u0259b\u0259r tutmur. H\u0259r ikisi k\u0259ndlil\u0259r t\u0259r\u0259find\u0259n d\u0259fn olunur.<\/p>\n

“\u018fd\u0259biyyat q\u0259zeti”<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

M\u00fcst\u0259qillik d\u00f6vr\u00fcnd\u0259 yaranan postmodern n\u0259sr sah\u0259sind\u0259 \u0130lqar F\u0259hminin yarad\u0131c\u0131l\u0131\u011f\u0131n\u0131 x\u00fcsusi vur\u011fulamaq laz\u0131md\u0131r. Yazar\u0131n x\u00fcsusil\u0259 “\u0130lk sui-q\u0259sd” (\u00c7\u0259nlibel t\u00fclk\u00fcs\u00fc – 1-ci kitab -2005), “Qar\u011fa yuvas\u0131” (\u00c7\u0259nlibel t\u00fclk\u00fcs\u00fc – 2-ci kitab – 2006), “K\u00f6lg\u0259d\u0259 \u0259qr\u0259b” (\u00c7\u0259nlibel t\u00fclk\u00fcs\u00fc – 3-c\u00fc kitab – 2007)\u00a0 romanlar\u0131 bu kontekstd\u0259n son d\u0259r\u0259c\u0259 \u0259h\u0259miyy\u0259tlidir. “\u0130lk sui-q\u0259sd” (\u00c7\u0259nlibel t\u00fclk\u00fcs\u00fc – 1-ci kitab)\u00a0 roman\u0131 Ke\u00e7\u0259l […]<\/p>\n","protected":false},"author":2,"featured_media":715,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"_links":{"self":[{"href":"https:\/\/dilimizvarligimiz.az\/api\/wp\/v2\/posts\/714"}],"collection":[{"href":"https:\/\/dilimizvarligimiz.az\/api\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dilimizvarligimiz.az\/api\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dilimizvarligimiz.az\/api\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dilimizvarligimiz.az\/api\/wp\/v2\/comments?post=714"}],"version-history":[{"count":1,"href":"https:\/\/dilimizvarligimiz.az\/api\/wp\/v2\/posts\/714\/revisions"}],"predecessor-version":[{"id":716,"href":"https:\/\/dilimizvarligimiz.az\/api\/wp\/v2\/posts\/714\/revisions\/716"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dilimizvarligimiz.az\/api\/wp\/v2\/media\/715"}],"wp:attachment":[{"href":"https:\/\/dilimizvarligimiz.az\/api\/wp\/v2\/media?parent=714"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dilimizvarligimiz.az\/api\/wp\/v2\/categories?post=714"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dilimizvarligimiz.az\/api\/wp\/v2\/tags?post=714"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}